Wednesday, October 11, 2017
The next version of the e-Storybook will be an edition formatted for HDTV and that edition will eventually include videos of each scene, but for starters will have music videos for each song. All of this will take time, but that is the direction we are going, so if you are an investor, that is what we will be raising money for. If I release the e-Storybook to the public, then it is my hope that book sales will fund the CG Animation and puppetry for film.
Once the Industry Review Edition is released and begins to be distributed to potential partners, Licensing and Options are on the table for funding purposes.
Check out IMS Producing Partners and the Facebook pages for both Image of the Mind Studios and The Gnomes of New Hope, since I also post there from time to time. As it stands now, I intend to keep production activities limited to my resources and the studio space in Southampton. If someone has other ideas, let me know. I am open to all possibilities, but I am not holding my breath for someone else to do much of anything in terms of production. One thing I will not do is to go out begging. Been there done that. The extent of the development in this project is such that I can only handle managing the affairs from my studio at this point, since the bulk of the materials reside in the studio and we need to start off by working out of my location.
Sunday, September 24, 2017
The major focus of attention has been on the e-Storybook for some time. Proofreading is driving me crazy! Since the e-book is based on a PDF format, whenever a correction is required, there are a number of other programs within which those corrections must be made. It all becomes rather complex. I've needed to restructure the book numerous times because of page numbering issues or errors. The most recent issue is file size. This e-Storybook is designed to function on your phone or e-pad. That means that I need to keep the file size at a level that will function rapidly when it loads into the memory of the devise. That sounds simple enough, but when the product incorporates artwork, complex artwork on every page, the file sizes increase substantially. So now that the functionality, in general, is working pretty well, I am reviewing the scenes to be certain that they load easily and do not jam up the devise.
Now an ongoing issue, that has delayed the release of the product to the public, has been DRM. Oddly enough, there are digital distribution outlets who have stated specifically that they will remove any DRM or Copyright information from the files they distribute. I find that appalling! I've worked on this project for 27 years! I'll be damned if I'm going to release this under any condition where people can copy it and/or distribute it for free over the internet. So one of the things I am working on is to assure that if any attempt to copy the material is made, the files will be erased. As it stands now, attempts to copy the files will destroy it's functionality and all the links which control the e-book will no longer work. But what I really want is for any attempt to "save as" to result in the complete erasure of all files. Unfortunately, I feel as though these measures are necessary because people do not respect the copyrights of authors and others who need to be paid for their work.
So that's where things stand with the project. As always, I am continuing to seek funding and participation from industry partners and others who are interested in taking advantage of the opportunity. I continue to preserve and protect the product line for the sake of it's overall value, but I do invite inquiries from professionals. As stated elsewhere, the Restrictive Covenant is required and that is posted on IMS Producing Partners blog.
It's tough that this is taking so long, but nothing good is quick and dirty.
Wednesday, August 23, 2017
So I will the post the assorted links here for the time being;
Arthur Greisiger on Facebook:
The Gnomes of New Hope on Facebook:
Image of the Mind Studios on Facebook:
I tend to post on these pages as well as the others on Blogger.
Image of the Mind Studios on Blogger:
IMS Producing Partners on Blogger:
The Gnomes of New Hope on Blogger:
I do not often post on Linked-in, so these pages are the best for review purposes.
Tuesday, August 15, 2017
I'm working more on production facilities and I am posting more thoughts on IMS Producing Partners. We need to be raising production funds, so I'm focusing more on that page, which deals more with management issues.
Also the Industry Review Package is almost ready so since that is directed towards build our team of vested partners, those discussions will be there.
I'm posting more from my phone, but that doesn't always work, so my posting dates and the order of what I am posting is somewhat out-of-whack.
Tuesday, August 8, 2017
Doesn't that sound simple? Well it's not! There are so many issues that it is mind boggling. After weeks of prep, I now have to go back and redo the page backgound. Issues of alignment and color management between the linked files are driving me nuts. I think I have a grip on it, but now I am faced with needing to upgrade all my equipment and programs, so that the product goes through the final prep with the absolutely latest operating protocols. I keep going with the resources available to me, but I sure could use a substantial influx of capital. The dilemma is that util this e-Storybook is functioning properly and is "flawlessly consistent" there's not much I can do about it. I simply cannot release a flawed Product, even if it is only the Industry Review Package.
I know some folks have been waiting and watching, wanting to see this. The best I can do right now is to invite you to visit me at the studio, if you need to see more than I've already posted.
On another front, Contract activity is beginning to pick up. If you are interested in Licensing or Options, that is a good way for me to fund the finishing development and other work required for finishing the Illustrations. I will be addressing those issues on IMS Producing Partners. If you have a contract scenerio which you've found works for your operation, let me know, or submit those contracts, as I will be composing specific contracts in the near future, after the e-Storybook is finished for the Review Package.
I'm thinking that selling an Option for distribution might be a good way to go. Of course that option needs to be substantial enough to support a good chunk of production in that specific arena.
As it stands now, I have not signed with an agency, so all your inquiries will need to be direct. It may stay that way, simply because my concentration will remain in the non-union arenas. I expect to job out the union operations, since I don't want to deal with that.
That's all for now.
Thursday, July 13, 2017
I have been preparing the e-storybook for release to selected individuals and organizations. What that means is that the entire layout needs to be correct and functional as a PDF based e-book. I am finding that the files I used to publish the hard copies of the books are different because of the size differences of the books. The Big People's Book is based on letter sized paper, with only minor trimming. While the Gnome-sized Book will yield eight pages from the same size paper. Now on the hard copies, the pages need to have right & left gutters, so the page numbers are on the outside border. While the e-storybook uses one background page and places all the page numbers on the left hand side.
So, preparing the e-storybook has been a matter of changing the page background on all the files. This is because, while publishing the Gnome-sized Book, I made small changes to the layout that helped to make the smaller books to have a bit more punch and clarity. Of course, those changes were made only on the Gnome-sized Book, which had different specifications than the other editions.
After finishing the Business Plan, which really needs more attention, but is sufficient for present requirements, I moved to working further on the Score. That aspect of this project requires quite a bit more work, but a great deal has already been done in that regard. Because of the intensity of that type of work, but also because of the demands of other work that is progressing, I shifted off of the score in lieu of finishing the e-Storybook.
Even though the Illustrations for the Storybook are not yet complete, a large part of the entire set of books is illustrated. So, I decided to advance all other aspects of the publishing work, setting up, both the published books and the e-Storybook to be ready for production and release, with only placement of the illustration panels needed to be done. The space has already been allotted for the illustrations, by defining the panels within the page layout.
I thin this is a good approach to finishing the publishing, hard copy and digital, because moving forward with the illustrations is also moving forward with the animations, and having the publishing mechanicals out of the way is a good thing.
Now, addressing release of the e-storybook; I need to be able to implement DRM and lock the files so that they cannot be copied, printed or disseminated in any unauthorized fashion. The last thing we want is to have the materials distributed on the internet for free. It has cost a small fortune to develop this material and we need to recoup those expenditures and then some. Producing the show will not be inexpensive and we need to assure the value of the project and create income. SO that is an issue in releasing the e-storybook. But I have to say that it looks really great, both on a smartphone and an e-pad.
As it stands now, I doubt that we will be able to distribute the product by way of a download. You would think that wouldn't be a problem, but the files are rather large because they are heavily laden with artwork. I've tried compressed files, but they don't look nearly as good as the larger files.
I believe that the digital product will be primarily distributed as "Gnomes in a Gnutshell" because the Micro SD is a good medium for delivery. It works really well with most phone & pads, with the exception of the Apple i-Phone and i-Pad, because they don't us a Micro SD. If you ask me that is a serious flaw in the Apple products.
So we are getting close. I am reformatting some of the components and trying to develop a method were multiple files will work continuously in synchronization, without difficulty for the end user, while allowing for upgrades. It's not easy.
That's all for now. AG
Sunday, July 9, 2017
As I mentioned elsewhere, I seem to have trouble with mobile postings. Sometimes they work, sometimes they don't. That results in a somewhat choppy account of activities. I apologize for that.
So the most recent activities have been in regard to preparing the full set of books to go to press. Even though more artwork is needed, the mechanical layout work still needs to happen for the remaining volumes. Book One of the set ran through a series of prototypes and I thought the layout was finished. Well I have found out otherwise.
Bacically, I changed the layout while printing the Book One prototypes and those changes did not get carried over into the balance of the books. They were small graphics changes to improve the end product. So I need to cross reference those changes and implement them in the remaining material, the layout for the remaining books.
There was another issue that ended up consuming a fair amount of time. For those of you preparing your own layouts, let me give you this advise - number your preface and appendix separately from the body of your text, especially if the body takes up more than one volume, or is marketed in numerous formats. That way you can change your preface to match the edition/market without effecting the numbering system in the body of the text. I just learned this the hard way and spent a good amount of time renumbering the pages, more than once!
So, in terms of publishing, I am focused on making the entire set press-up, even though I still need to insert the artwork into the layout, basically replacing descriptive panels with the actual art they describe. As I'll mentioned elsewhere, I need to raise the funds to finish the artwork. A possible release of the first three books may achieve that, but I'd prefer to withhold release until all seven books are fully illustrated. As I've also pointed out elsewhere, that means 348 more illustrations. So not only will that cost over $50k, but that will take time as well.
That's all for now.
Thursday, July 6, 2017
Here's a link. The file seems to be too large to function properly, which is one of my concerns about providing the e-storybook via the internet. I will try to rectify this problem. This is only the 7 page Preface. You can imagine how difficult 800 pages (with more extensive artwork) would be. Hopefully it will open for you. AG
Wednesday, July 5, 2017
The publishing materials are being conformed so that the entire set of books will be ready for press. I spent the last week or so trying to find the layout files, only to discover that the primary layout accidentally got saved as a PDF. So after an extensive search I relocated the components and rebuilt the Master File. So now the entire collection needs to be conformed to the latest mechanical layout, which should not be too difficult... but I've said that before. Oh well, upward and onward.
I'm beginning to get more deeply into theme park activities and I'm trying to figure out how to make a presentation of The Gnomes of New Hope in that context. I can't present Zach & Zebby's Grand Adventure in that medium, so I think it will end up being Gnome Fest, taking place in the center of Gnomeville.
That's all for now. AG
Sunday, July 2, 2017
So with all this attention on the Storybooks, I think that my focus will shift to locating a large publishing house or distributor to pick up the project. I will however continue to publish all the books that are ready and finish the print layout on the full collection, including the ones that still need artwork. My objective here is to raise the 50-100K that will be required for completion of all the illustrations. I know I've discussed this elsewhere, so I won't reiterate. I will say that I expect to be making more effort to locate the right literary agent. I guess it's about time for that.
In terms of production activity, I remain concentrated on refining the studio space and making sure we are prepared to initiate set construction in the shop, but also experimental film-making with a green-screen and motion control. I still need to set up the array and Final Cut Studio, so I'll be working on that too. In terms of set-design, I'm beginning to redesign the show to fit into the Bucks County Playhouse and other smaller theaters in the anticipated touring circuit.
I've had a number of people expressing their desire to work on this project, but I need to develop both the methodology and budget for HR. So Producing Partners will need to understand the magnitude of the resources which need to be gathered for that purpose.
All these things are progressing slowly, but that may change, depending on who ends up joining the effort. Some discussions are taking place, but nothing definitive... not yet.
I'm releasing the first book to people who visit the studio and proved to be on board with the project. If you are one of those folks I'm there 9-5 M-F.
That's all for now. AG
Wednesday, June 21, 2017
Thursday, June 8, 2017
I am making the electronic package the priority in this regard. Although there are still 348 illustration panels required for the entire book set to be completed, I am assembling the preview package to be a representative of the finished product, even though there is more work to be done on that end of things. To my way of thinking, this will not prevent us building a board of directors or locating investors.
As I have said, the Libretto is finished, which means the sets, costuming and other designs can advance. Most of the music has a draft score and I am continuing with the piano adaptations and the divisi/lead sheets, so recording can begin to take place with live performers, even if they are only studio musicians who are doing it for samples. Obviously, we will want the stage performers to record their renditions, but for the purpose of filming the show with puppets, the music will be studio versions anyway. So, in that regard, I am working toward setting up a RAID Array, particularly for use with Final Cut Studio for the film and Digital Performer for the music, and then, of course integrating the two.
So other than refining the digital package for Industry Review, I am working on the design and implementation of the parade float. Presenting the material in a parade will need to take place prior to opening the show in a theatre, so that needs to be done first... for publicity purposes. The parade float is part of a stage design that I have been wanting to implement for years, and although I did have buyers for the stages, now I have a good excuse to do it for our own use. So I am looking into gathering the hardware to build the float. One nice thing about this approach is that the supplies which we will use on the float can also be used in little theatre, street fairs and Gnome-Fest. So all that work is taking priority over mounting the show in a first class or LORT house. I an not inclined to pursue academia, because we need to build a committed crew, but that might be worth doing for samples and possibly the concert presentation. In terms of the concert presentation, that show could be set up so that it requires less commitment and expense by eliminating sets and a crew. Cast requirements for that would be closer to a few principles as in an operatic concert, and that could be done script-in-hand.
So that's the general direction of the thinking right now. In terms of investment which will show a return, the focus has to be on publishing and refinement of a few ancillary markets. The timing of the release of these items, however, need to be subject to the schedule for the stage production, although some release of cinema could happen prior to the stage show, basically serving as promotion. The larger film, whether it is CG animation, classic animation (which is preferable), a combination of both, possibly integrating puppetry, or live performance, the larger film needs to be reserved for release until after the stage show hits Broadway. That means there will be numerous try-outs before we get to that point, including the parade.
So I gotta go, so that's all for now. AG
Thursday, May 18, 2017
Each of the songs requires an assortment of sheet music to convey all the facts to the singers, musicians, conductor, technical director, production assistants & stage technicians, music director, stage director, producers, financiers, agents, publishers, and ultimately distributors and end users - the patrons and audience. Now all these people, some of which represent a group of people, do not need all the information at the same time. Nor do they require the composite of the material, but sections of different materials are distributed to this array of people at the appropriate time and in the appropriate degree. That means that all the bugs need to be worked out so that all the materials are consistent and agree with each other.
In terms of the score alone, this means thousands of pages containing intricate arrangements for a variety of instrumental and vocal circumstances. So it goes on... and on... and on! I am very pleased with the progress and excited to see that the score is approaching the end of having the entire body of work (for 70 songs) published, if not in the final form, then in an acceptable and workable draft form.
Today I was working on a song which I thought was finished. HA! I discovered that the Divisi Score diverged from the Piano Adaptation. While, building the Piano Adaptation, I decided to go ahead and do the Time signatures. It worked out just great, but the Divisi did not have those changes, that basically means that neither did the Orchestral Score. No real problem, I can pretty easily transfer the time signature by copying the Conductor Track... except that the notes are different in each Print Layout and if I copy the one track, then the note adjustment (for Lyrics and stage notes) does not match the specific score. I'm working all that out, but basically it means I can't print the Orchestral score out before the Piano Adaptation, but the Piano Adaptation is derived from the Orchestral Arrangement. My solution at this point is to publish the score components as drafts, but that gets rather expensive. They have nerve charging that kind of money for ink. Oh well.
SO I am selectively finishing off my favorite songs first, while making sure that each scene has all the drafts published for the music. I'd like to say it is almost done, and it seems that way at times, but usually when I think I am finished with something, the next degree becomes apparent. It's like a big trap! You get so far and you have to keep going no matter what is thrown at you. Gadzooks!
Well in addition to publishing the hard copy, I am doing the PDF version also. Then each of these scores needs to be recorded, which I am doing with MIDI. Interestingly enough, while setting up the Divisi, I created a vocal rack which assigned instruments to each of the eight voice parts. I experimented with using Combi patches for the duets/trios/quartets. I was happy with that and it was interesting to find that I could create a good Divisi by assigning a Combi that had instruments that had dfifferent ranges. Like a C2 & a C4 (although the range is usually closer than that) But interestingly enough a Melody Line that covered a wide range would automatically provide the Divisi. Of course there is other work to do in assigning the notes to a particular voice part, but running down the middle effectively (generally speaking) splits the male and female voices. I say this based on using a melody line that has not been assigned to particular voice parts or has had the counter-points/harmony developed yet. It's just a good starting point.
The way I have approached shaping the voice parts is not easy to explain. Most of the time I assign the lyrics according to the character relationships, but then within a group of performers, I decide what kind of flavor needs to be conveyed. Sometimes that works just fine, but in a Choral setting it's more like what voice parts are available. I presume the shape of the sound will take place in auditions based on the numerous factors under which a performer is selected for a particular role. It certainly is a tricky process if the tonal relationship across the board are the primary criteria, but the external traits of the character must also be balanced to the highest degree possible.
You know with theatre, particularly with a piece that is intended and designed to have legs, your crew needs to be dedicated to the long term goals. I know there must be a balance with that, in other words, to achieve that. But my approach to doing that lies in the cinema. I think it will be easier to hold performers to a film shoot than to a sustained theatrical run. It is unfortunate but that seems to be the case. I suppose the best approach to that is to have three companies, maybe two, but three sounds like a better idea. The first string players, the backup second string, and the apprentice troupe. That way if a player drops out or fails to perform, then other players can move up. Also, the other troupes can play the second run, regional and festival shows while waiting for an opportunity at the first run show. Well that's all for another discussion.
I thought I'd better post something so there you go. That's all for now. AG
Monday, May 15, 2017
Work is continuing on the score. This is a massive endeavor and it will take time to perfect the numerous songs. But in the meanwhile, I am printing out a complete collection of Orchestral Drafts, Lead Sheets, Divisi Score and Piano Adaptations. Once the draft versions are fully published, then we will advance to review the materials for Time Signatures, Note Values and Dynamics. Once these aspects are finished for the Orchestral applications, then we will reevaluate the Dynamics of the MIDI files to assure that the expressions are correct for using those MIDI files in the smaller productions, such as little theatre and community theatre. It is anticipated that the smaller theatres will not be able to afford a full orchestra, so the MIDI files will be made available for those productions.
Also, planning for the concert presentation is advancing as well. Once the Draft Score is complete the focus of attention will be on the Concert Presentation, which will include some degree of Puppetry. The reason for this is that we will be striving to have some of the music performed by an orchestra. This has been discussed with a number of orchestras, but ultimately, will need to take place with an organization that can help to advance the overall goals in a number of ways. Discussion on that subject will take place at another time, when it is more practical and appropriate.
Overall, I can say that this effort overwhelms some of the other activities which have been discussed.
Recently, I bought a 4 wheel drive Dodge Ram 150. I bought it for the snow plow, but now it seems as though it might be worth considering using the chassis and power-plant as part of the Parade Float. That seems like a lot of work and diverges from my previous plan to use a Covair Truck as a donor for the drive components. I do think the Corvair would be a better choice, simply because it has a better design that would be easier to work with and offer more flexibility in terms of staging option, With the Corvair, there is no driveshaft to interfere with the center section of the parade float, which would make up the bulk of the staging area. I may have just talked myself out of using the 4 wheel drive chassis. So that chassis is up for sale, probably less the power-train, as I have a pending deal for those components.
Puppetry is on hold until the score is finished, but the few primary characters are in process and we will pick that up with the focus on the concert presentations as mentioned. The entire show is up for licensing to another production company, particularly as it applies to puppetry. Drop me an email.
That's all for now. AG
Monday, May 1, 2017
Image of the Mind Studios on Facebook. Check that page once in a while, because it is easier for me to post there.
Saturday, April 15, 2017
The current focus is on the music score, which involves many hundreds of pages. I am reviewing all the materials and printing to PDF the Orchestral Drafts. There are other pertinent files for each song as well. Lead sheets and piano adaptations/reductions as well as SATB Divisi scores.
The Industry Review Package, the Libretto and the Illustrated Storybook discs are finished, although the Illustrated Storybook requires more artwork before it can be published. That subject has been discussed previously so I won't repeat myself.
In the context of completing these materials, my primary focus of attention is setting up and refining the studio space so that it is prepared to meet demand, once we move into active production. Up until now, all activities have been and are considered developmental. I am beginning to move into preproduction to an appropriate degree, although there are aspects that still fall under development. Some degree of manufacturing is ready to proceed in terms of the Ancillary Markets, pretty much only to the degree that can meet the demands that may come into play with walk-ins to the showroom and some expectation of retail sales. This is not a primary objective at this point, but some activity can take place in this regard. The main objective for manufacturing is to meet the demand for product which may accompany the try-out run of the show when it gets mounted. That level of manufacturing is primarily Limited Edition runs. Mass production is an entirely different issue. But anyway you look at it, manufacturing cannot distract from more significant preproduction activities which look toward toward limited production that is used for marketing the product lines to industry and working toward evaluation previews in a number of arenas.
That's all for now. AG
Friday, March 31, 2017
So if you are interested in exploring the areas that have been worked on, you can use the Blog Archive to the left and lower down on the page. If you would like to know what has happened in a particular area, since the last posting, you are welcome to inquire, which may inspire me to post an update on that subject.
Even though the most recent posting may be on one subject, that does not mean that advancement in other areas has not been progressing, it just may not have been reported.
Monday, March 20, 2017
I am setting up the Film/Video editing bench again for various reasons. I have around eight films laying around which need editing, but I also need to get going for the Animated Version of "The Gnomes of New Hope; Zach & Zebby's Grand Adventure". So that will also lead to more work on Stage One at Studio 1325 to set up the green screen.
I am also preparing the Garden Gnomes for a Limited Edition Release of Book One of the Storybook to our Vested Partners. With the completion of the Industry Review Package and assorted registrations, the Storybook can be released and that is moving forward.
For the past few weeks I have been working on Licensing and Options and as that work has progressed in such a way that it has become more detailed. I was intent on simply addressing the issues in a somewhat cursory way, but that turned into a more detailed document, primarily addressing Setup, Manufacturing, Quality Control, Inspection, Billing and Distribution aspects of the Ancillary/Merchandising markets. Of course that pertains to Licensing.
Options has an entirely different set of issues to be dealt with. So I've addressed some of those issues as well. That has led me into the stock issue. So today I was dealing with stocks, since I am selling 50% of the shares to The Elder Gnomes Joint Venture. Of course those shares are sold to the twelve member Board of Governing Executive Directors. So, in essence, there are twelve million shares assigned to the Elder Gnomes, one million for each board position. Each board position is a vested position at one dollar per share. This is just a heads up for anyone who is in a position to consider being a board member, but the twelve positions are specific to the twelve divisions of responsibility required for supervision of the domestic and international markets. All of this is contingent upon establishing the four organizations required to implement the overall plan. Without providing details, those organizations are as follows; Image of the Mind Studios - Development, Artistic Direction, The Elder Gnomes Joint Venture - Finance, Executive Producing, IMS Management, Inc. Logistics across the board, above the line and The Gnomes of New Hope Productions - Production Management, below the line. That's it... in a Gnutshell. (Gnomes in a Gnutshell, get it?)
In the meanwhile, the subject of building the sets has cropped up. I'm considering that aspect of things, while focusing on rebuilding the primary work vehicles of IMS. I put that maintenance off while working on the Core Creative Materials and now that most of that is sufficiently finished in order to move into production (mind you, not finished enough for release to the public, but enough for the Industry Review and finance activities). So bringing the vehicles back up to speed is a priority. I need the small truck for gathering small supplies and the big truck for moving sets and pulling the parade float. The other domestic vehicles need attention too, so for the time being they have to be my priorities.
I often post on Facebook, and I am developing a Fan Page for the Gnomes of New Hope. When I get that working right I'll put a link in the header. If you search for my name Arthur Greisiger in Facebook you can see some of those posts and some other stuff, like my poetry and photography, which I am beginning to post, simply because I am getting older and that stuff does no good sitting in my drawer. I might as well post it.
So the business Plan is coming along nicely. It is certainly sufficient for serious review to any professional organizations who may request it, but I also realize that as a process it will just continue, since I need to design the Operations Manuals for each of those organizations. So on my end of it I will just continue moving forward. But on the investors and Producing Partners end of it, if you are one of those persons who fit into that category, and I mean fitting into that category by Securities Exchange Commission standards, then it will be on you to contact me to discuss matters.
I, on the other hand, have literally thousands of things to do, in every aspect of this show, other shows that are on the boards, and refinement of the studio. So do not expect me to be spending too much time with direct solicitations. I expect to locate representation for this show on multiple levels, so that is part of my goals and frankly I am looking for self-starters, people who have reviewed the materials I have posted and can tell me how they fit in. That may not work, but for now that the only way I can proceed.
I refuse to play that Hollywood game. Been there, Done that. I'll let the agents do that.
So if you are a Hollywood, New York, or London type and you see the potential, it's on you to bring that up. There are dozens of other cities in the Primary Markets where we can initiate activity so I am open to all that as well.
I'm too busy and too intolerant to jump thru any hoops, especially the ones that lead to wasting my time and being taken for a sucker. Not to be rude, but I've seen it before, all too many times.
Basically there are two ways to go; build IMS into a major operation around The Gnomes or sell the whole project outright to a major player. There are other variations to that theme, but I do have my preferences. Let's see what happens.
So... that's all for now. AG
Thursday, March 9, 2017
Monday, January 23, 2017
The sudden requirement that focus on Vehicle Maintenance has taken away from the progress for the last month or two. But I put it off in order to finish the Core Creative Materials and contracts required for The Gnomes.
Because of recent discussions with investors, I realized that those contract materials needed review. So, after building The Business Plan, a revisiting of the Foundational Finance contracts was appropriate. All told, these materials are critical for the release of The Industry Review Package and they are almost ready for release. References to the Production Management modus operandi allow for movement into pre-production in some arenas. The management plan for this project is largely based on the implementation of sub-categories in the overall budget. The details of this are reserved for our Vested Producing Partners and are available at the studio after discussion on the subject. I will not be posting that information on the web. Later, The Producing Partners web site, a member only site, will have all that information and much more posted.
That's all for now, AG
Thursday, January 19, 2017
In terms of actual production activities, the stop-action puppetry is the primary focus of attention, even though work is still proceeding on publishing. I've evaluated the equipment needs for the animation work we are planning and I am impressed with the Sony still cameras for our particular application. I am anticipating building a three camera set-up on our model sets, but first I will be doing tests using a green screen as a backdrop for the model stop-action puppets. Along those lines, creating the proper sized sculptures for the puppet heads will be a priority. I think the first level in this regard will be heads that are not animated.
Since our family business is a machine shop, I am inclined toward robotics as a focus. The larger Puppets have been constructed taking animatronics into account. Of course they are far from finished, in part because I am trying to devise a design that will emulate muscular movement. I won't get into that right now, but I have a conceptual design for an artificial muscle. I may like to continue to pursue that, but that is a complicated endeavor which will be too distracting from the primary direction we need to proceed in. But I do think producing the sample of a stop-action film is important, so I am proceeding with the basic puppet design for that, figuring on the green screen being the factor that will integrate the puppetry into the existing art work we have of Gnomeville. I have been planning the set construction. Computer issues so I will continue this later. AG