Just a note to let you know that I am trying to build the Facebook page by posting there occasionally. There is a link to that page on the IMS Virtual Studio Page. and here is a link to the Facebook page -
Image of the Mind Studios on Facebook. Check that page once in a while, because it is easier for me to post there.
Monday, May 1, 2017
Saturday, April 15, 2017
Most recent focus
Work has been proceeding on coagulating the files into a four DVD set which will be available for review by our Producing Partners and other participants. This includes persons employed to fulfill specific roles where this information is required. The documentation on this project is simply immense, so creating a digital presentation is clearly the best approach. Not only because it is cost effective, but it is easier to distribute and the files can be used as master files, which are more easily updated.
The current focus is on the music score, which involves many hundreds of pages. I am reviewing all the materials and printing to PDF the Orchestral Drafts. There are other pertinent files for each song as well. Lead sheets and piano adaptations/reductions as well as SATB Divisi scores.
The Industry Review Package, the Libretto and the Illustrated Storybook discs are finished, although the Illustrated Storybook requires more artwork before it can be published. That subject has been discussed previously so I won't repeat myself.
In the context of completing these materials, my primary focus of attention is setting up and refining the studio space so that it is prepared to meet demand, once we move into active production. Up until now, all activities have been and are considered developmental. I am beginning to move into preproduction to an appropriate degree, although there are aspects that still fall under development. Some degree of manufacturing is ready to proceed in terms of the Ancillary Markets, pretty much only to the degree that can meet the demands that may come into play with walk-ins to the showroom and some expectation of retail sales. This is not a primary objective at this point, but some activity can take place in this regard. The main objective for manufacturing is to meet the demand for product which may accompany the try-out run of the show when it gets mounted. That level of manufacturing is primarily Limited Edition runs. Mass production is an entirely different issue. But anyway you look at it, manufacturing cannot distract from more significant preproduction activities which look toward toward limited production that is used for marketing the product lines to industry and working toward evaluation previews in a number of arenas.
That's all for now. AG
The current focus is on the music score, which involves many hundreds of pages. I am reviewing all the materials and printing to PDF the Orchestral Drafts. There are other pertinent files for each song as well. Lead sheets and piano adaptations/reductions as well as SATB Divisi scores.
The Industry Review Package, the Libretto and the Illustrated Storybook discs are finished, although the Illustrated Storybook requires more artwork before it can be published. That subject has been discussed previously so I won't repeat myself.
In the context of completing these materials, my primary focus of attention is setting up and refining the studio space so that it is prepared to meet demand, once we move into active production. Up until now, all activities have been and are considered developmental. I am beginning to move into preproduction to an appropriate degree, although there are aspects that still fall under development. Some degree of manufacturing is ready to proceed in terms of the Ancillary Markets, pretty much only to the degree that can meet the demands that may come into play with walk-ins to the showroom and some expectation of retail sales. This is not a primary objective at this point, but some activity can take place in this regard. The main objective for manufacturing is to meet the demand for product which may accompany the try-out run of the show when it gets mounted. That level of manufacturing is primarily Limited Edition runs. Mass production is an entirely different issue. But anyway you look at it, manufacturing cannot distract from more significant preproduction activities which look toward toward limited production that is used for marketing the product lines to industry and working toward evaluation previews in a number of arenas.
That's all for now. AG
Friday, March 31, 2017
Music Samples (repost)
Years ago I signed up for SonicBids, but I found it to be more oriented toward bands that were touring and performing, not exactly what we are doing with The Gnomes of New Hope,
so I discontinued belonging to the service. However the music I posted
is still there and you might like to hear some of the earlier samples.
So here's a link.
"Completely" was recorded using two excellent vocalists
Nathan Odhner & Justine Buss
I expect we will pick up with recording the music
after the Industry Review Package starts making the rounds
and we gather more working capital.
AG
Navigating the Posts
The Posts regarding The Gnomes of New Hope discuss an assortment of subjects at various stages of development. Because of the wide range of activities that are taking place, almost simultaneously, it is not always possible to update each arena being worked on.
So if you are interested in exploring the areas that have been worked on, you can use the Blog Archive to the left and lower down on the page. If you would like to know what has happened in a particular area, since the last posting, you are welcome to inquire, which may inspire me to post an update on that subject.
Even though the most recent posting may be on one subject, that does not mean that advancement in other areas has not been progressing, it just may not have been reported.
AG
So if you are interested in exploring the areas that have been worked on, you can use the Blog Archive to the left and lower down on the page. If you would like to know what has happened in a particular area, since the last posting, you are welcome to inquire, which may inspire me to post an update on that subject.
Even though the most recent posting may be on one subject, that does not mean that advancement in other areas has not been progressing, it just may not have been reported.
AG
Career History of Arthur Greisiger
Here is a link to the Career History
of
Creator of
The Gnomes of New Hope
Zach & Zebby's Grand Adventure
and
The Gnomic Tales
Monday, March 20, 2017
Work Progress on the Business Plan
All of the materials are being prepared for distribution on DVD and I am considering developing a PowerPoint presentation. I suppose that will have to happen, but for now I am focusing on components of the contract structure that are being presented in the Business Plan.
I am setting up the Film/Video editing bench again for various reasons. I have around eight films laying around which need editing, but I also need to get going for the Animated Version of "The Gnomes of New Hope; Zach & Zebby's Grand Adventure". So that will also lead to more work on Stage One at Studio 1325 to set up the green screen.
I am also preparing the Garden Gnomes for a Limited Edition Release of Book One of the Storybook to our Vested Partners. With the completion of the Industry Review Package and assorted registrations, the Storybook can be released and that is moving forward.
For the past few weeks I have been working on Licensing and Options and as that work has progressed in such a way that it has become more detailed. I was intent on simply addressing the issues in a somewhat cursory way, but that turned into a more detailed document, primarily addressing Setup, Manufacturing, Quality Control, Inspection, Billing and Distribution aspects of the Ancillary/Merchandising markets. Of course that pertains to Licensing.
Options has an entirely different set of issues to be dealt with. So I've addressed some of those issues as well. That has led me into the stock issue. So today I was dealing with stocks, since I am selling 50% of the shares to The Elder Gnomes Joint Venture. Of course those shares are sold to the twelve member Board of Governing Executive Directors. So, in essence, there are twelve million shares assigned to the Elder Gnomes, one million for each board position. Each board position is a vested position at one dollar per share. This is just a heads up for anyone who is in a position to consider being a board member, but the twelve positions are specific to the twelve divisions of responsibility required for supervision of the domestic and international markets. All of this is contingent upon establishing the four organizations required to implement the overall plan. Without providing details, those organizations are as follows; Image of the Mind Studios - Development, Artistic Direction, The Elder Gnomes Joint Venture - Finance, Executive Producing, IMS Management, Inc. Logistics across the board, above the line and The Gnomes of New Hope Productions - Production Management, below the line. That's it... in a Gnutshell. (Gnomes in a Gnutshell, get it?)
In the meanwhile, the subject of building the sets has cropped up. I'm considering that aspect of things, while focusing on rebuilding the primary work vehicles of IMS. I put that maintenance off while working on the Core Creative Materials and now that most of that is sufficiently finished in order to move into production (mind you, not finished enough for release to the public, but enough for the Industry Review and finance activities). So bringing the vehicles back up to speed is a priority. I need the small truck for gathering small supplies and the big truck for moving sets and pulling the parade float. The other domestic vehicles need attention too, so for the time being they have to be my priorities.
I often post on Facebook, and I am developing a Fan Page for the Gnomes of New Hope. When I get that working right I'll put a link in the header. If you search for my name Arthur Greisiger in Facebook you can see some of those posts and some other stuff, like my poetry and photography, which I am beginning to post, simply because I am getting older and that stuff does no good sitting in my drawer. I might as well post it.
So the business Plan is coming along nicely. It is certainly sufficient for serious review to any professional organizations who may request it, but I also realize that as a process it will just continue, since I need to design the Operations Manuals for each of those organizations. So on my end of it I will just continue moving forward. But on the investors and Producing Partners end of it, if you are one of those persons who fit into that category, and I mean fitting into that category by Securities Exchange Commission standards, then it will be on you to contact me to discuss matters.
I, on the other hand, have literally thousands of things to do, in every aspect of this show, other shows that are on the boards, and refinement of the studio. So do not expect me to be spending too much time with direct solicitations. I expect to locate representation for this show on multiple levels, so that is part of my goals and frankly I am looking for self-starters, people who have reviewed the materials I have posted and can tell me how they fit in. That may not work, but for now that the only way I can proceed.
I refuse to play that Hollywood game. Been there, Done that. I'll let the agents do that.
So if you are a Hollywood, New York, or London type and you see the potential, it's on you to bring that up. There are dozens of other cities in the Primary Markets where we can initiate activity so I am open to all that as well.
I'm too busy and too intolerant to jump thru any hoops, especially the ones that lead to wasting my time and being taken for a sucker. Not to be rude, but I've seen it before, all too many times.
Basically there are two ways to go; build IMS into a major operation around The Gnomes or sell the whole project outright to a major player. There are other variations to that theme, but I do have my preferences. Let's see what happens.
So... that's all for now. AG
I am setting up the Film/Video editing bench again for various reasons. I have around eight films laying around which need editing, but I also need to get going for the Animated Version of "The Gnomes of New Hope; Zach & Zebby's Grand Adventure". So that will also lead to more work on Stage One at Studio 1325 to set up the green screen.
I am also preparing the Garden Gnomes for a Limited Edition Release of Book One of the Storybook to our Vested Partners. With the completion of the Industry Review Package and assorted registrations, the Storybook can be released and that is moving forward.
For the past few weeks I have been working on Licensing and Options and as that work has progressed in such a way that it has become more detailed. I was intent on simply addressing the issues in a somewhat cursory way, but that turned into a more detailed document, primarily addressing Setup, Manufacturing, Quality Control, Inspection, Billing and Distribution aspects of the Ancillary/Merchandising markets. Of course that pertains to Licensing.
Options has an entirely different set of issues to be dealt with. So I've addressed some of those issues as well. That has led me into the stock issue. So today I was dealing with stocks, since I am selling 50% of the shares to The Elder Gnomes Joint Venture. Of course those shares are sold to the twelve member Board of Governing Executive Directors. So, in essence, there are twelve million shares assigned to the Elder Gnomes, one million for each board position. Each board position is a vested position at one dollar per share. This is just a heads up for anyone who is in a position to consider being a board member, but the twelve positions are specific to the twelve divisions of responsibility required for supervision of the domestic and international markets. All of this is contingent upon establishing the four organizations required to implement the overall plan. Without providing details, those organizations are as follows; Image of the Mind Studios - Development, Artistic Direction, The Elder Gnomes Joint Venture - Finance, Executive Producing, IMS Management, Inc. Logistics across the board, above the line and The Gnomes of New Hope Productions - Production Management, below the line. That's it... in a Gnutshell. (Gnomes in a Gnutshell, get it?)
In the meanwhile, the subject of building the sets has cropped up. I'm considering that aspect of things, while focusing on rebuilding the primary work vehicles of IMS. I put that maintenance off while working on the Core Creative Materials and now that most of that is sufficiently finished in order to move into production (mind you, not finished enough for release to the public, but enough for the Industry Review and finance activities). So bringing the vehicles back up to speed is a priority. I need the small truck for gathering small supplies and the big truck for moving sets and pulling the parade float. The other domestic vehicles need attention too, so for the time being they have to be my priorities.
I often post on Facebook, and I am developing a Fan Page for the Gnomes of New Hope. When I get that working right I'll put a link in the header. If you search for my name Arthur Greisiger in Facebook you can see some of those posts and some other stuff, like my poetry and photography, which I am beginning to post, simply because I am getting older and that stuff does no good sitting in my drawer. I might as well post it.
So the business Plan is coming along nicely. It is certainly sufficient for serious review to any professional organizations who may request it, but I also realize that as a process it will just continue, since I need to design the Operations Manuals for each of those organizations. So on my end of it I will just continue moving forward. But on the investors and Producing Partners end of it, if you are one of those persons who fit into that category, and I mean fitting into that category by Securities Exchange Commission standards, then it will be on you to contact me to discuss matters.
I, on the other hand, have literally thousands of things to do, in every aspect of this show, other shows that are on the boards, and refinement of the studio. So do not expect me to be spending too much time with direct solicitations. I expect to locate representation for this show on multiple levels, so that is part of my goals and frankly I am looking for self-starters, people who have reviewed the materials I have posted and can tell me how they fit in. That may not work, but for now that the only way I can proceed.
I refuse to play that Hollywood game. Been there, Done that. I'll let the agents do that.
So if you are a Hollywood, New York, or London type and you see the potential, it's on you to bring that up. There are dozens of other cities in the Primary Markets where we can initiate activity so I am open to all that as well.
I'm too busy and too intolerant to jump thru any hoops, especially the ones that lead to wasting my time and being taken for a sucker. Not to be rude, but I've seen it before, all too many times.
Basically there are two ways to go; build IMS into a major operation around The Gnomes or sell the whole project outright to a major player. There are other variations to that theme, but I do have my preferences. Let's see what happens.
So... that's all for now. AG
Thursday, March 9, 2017
Sample of the Libretto
Here is
Act One, Scene One
of
The Gnomes of New Hope
Zach & Zebby's Grand Adventure
copyright 2016 Image of the Mind Studios/Arthur Greisiger
1325 Industrial Boulevard, Southampton, Pennsylvania 18966
Monday, January 23, 2017
Sudden Distraction
My post just got erased! What A drag.
The sudden requirement that focus on Vehicle Maintenance has taken away from the progress for the last month or two. But I put it off in order to finish the Core Creative Materials and contracts required for The Gnomes.
Because of recent discussions with investors, I realized that those contract materials needed review. So, after building The Business Plan, a revisiting of the Foundational Finance contracts was appropriate. All told, these materials are critical for the release of The Industry Review Package and they are almost ready for release. References to the Production Management modus operandi allow for movement into pre-production in some arenas. The management plan for this project is largely based on the implementation of sub-categories in the overall budget. The details of this are reserved for our Vested Producing Partners and are available at the studio after discussion on the subject. I will not be posting that information on the web. Later, The Producing Partners web site, a member only site, will have all that information and much more posted.
That's all for now, AG
The sudden requirement that focus on Vehicle Maintenance has taken away from the progress for the last month or two. But I put it off in order to finish the Core Creative Materials and contracts required for The Gnomes.
Because of recent discussions with investors, I realized that those contract materials needed review. So, after building The Business Plan, a revisiting of the Foundational Finance contracts was appropriate. All told, these materials are critical for the release of The Industry Review Package and they are almost ready for release. References to the Production Management modus operandi allow for movement into pre-production in some arenas. The management plan for this project is largely based on the implementation of sub-categories in the overall budget. The details of this are reserved for our Vested Producing Partners and are available at the studio after discussion on the subject. I will not be posting that information on the web. Later, The Producing Partners web site, a member only site, will have all that information and much more posted.
That's all for now, AG
Thursday, January 19, 2017
Shift of Attention
Work on The Gnomes spans a wide range of activities, so other non related activities must take place to support that range of activities as well. One arena which has been pushed aside in lieu of the Core Creative Materials for the Gnomes has been the maintenance of assorted vehicles belonging to IMS. So because forward momentum is expected in the assorted production arenas, it is critical that the trucks be reviewed and serviced. With that in mind, the primary focus of attention is replacing the engines and transmissions of the work vehicles. The need has been growing and this service now needs to be addressed.
In terms of actual production activities, the stop-action puppetry is the primary focus of attention, even though work is still proceeding on publishing. I've evaluated the equipment needs for the animation work we are planning and I am impressed with the Sony still cameras for our particular application. I am anticipating building a three camera set-up on our model sets, but first I will be doing tests using a green screen as a backdrop for the model stop-action puppets. Along those lines, creating the proper sized sculptures for the puppet heads will be a priority. I think the first level in this regard will be heads that are not animated.
Since our family business is a machine shop, I am inclined toward robotics as a focus. The larger Puppets have been constructed taking animatronics into account. Of course they are far from finished, in part because I am trying to devise a design that will emulate muscular movement. I won't get into that right now, but I have a conceptual design for an artificial muscle. I may like to continue to pursue that, but that is a complicated endeavor which will be too distracting from the primary direction we need to proceed in. But I do think producing the sample of a stop-action film is important, so I am proceeding with the basic puppet design for that, figuring on the green screen being the factor that will integrate the puppetry into the existing art work we have of Gnomeville. I have been planning the set construction. Computer issues so I will continue this later. AG
In terms of actual production activities, the stop-action puppetry is the primary focus of attention, even though work is still proceeding on publishing. I've evaluated the equipment needs for the animation work we are planning and I am impressed with the Sony still cameras for our particular application. I am anticipating building a three camera set-up on our model sets, but first I will be doing tests using a green screen as a backdrop for the model stop-action puppets. Along those lines, creating the proper sized sculptures for the puppet heads will be a priority. I think the first level in this regard will be heads that are not animated.
Since our family business is a machine shop, I am inclined toward robotics as a focus. The larger Puppets have been constructed taking animatronics into account. Of course they are far from finished, in part because I am trying to devise a design that will emulate muscular movement. I won't get into that right now, but I have a conceptual design for an artificial muscle. I may like to continue to pursue that, but that is a complicated endeavor which will be too distracting from the primary direction we need to proceed in. But I do think producing the sample of a stop-action film is important, so I am proceeding with the basic puppet design for that, figuring on the green screen being the factor that will integrate the puppetry into the existing art work we have of Gnomeville. I have been planning the set construction. Computer issues so I will continue this later. AG
Thursday, January 12, 2017
Newest acitivity
The work on contracts and production management continues but the most recent effort is to confirm the e-book functionality. I finally gave in and got a smart phone, so I thought I'd test it out on the phone. So far so good, but that made, me realize that hadn't finished making the Digital Proposal Materials work entirely the way I want them to be. When I finally hand over the materials to other Industry Professionals and other participants, I want the materials to be very comprehensive and sufficiently complete to advance the production. Ultimately these materials will be part of the e-storybook release to the public, but for now it is only for our Producing Partners, Investors, and Creative/Production Staff. That's all for no.w AG
Wednesday, December 7, 2016
Contracts
Well, since things are advancing on numerous fronts, I've decided it was appropriate to redress some of the contract materials. I am updating the Front Money Agreement. To those of you who already have contributed under the Front Money Agreement, have no fear, the terms remain the same. I am expanding the definitions and linking the other pertinent documents more closely and specifically. The reason is that I am speaking to some investors who are talking larger numbers than we have dealt with in the past. This is a good thing and mainly because I am seeking to raise the funds needed to complete the artwork for the remaining books in the series. Clearly, the previous method of gathering the artwork for the illustrations has worked well, but now I am more interested in combining those efforts with animation.
I've come to conclude that moving to animate each of the songs in the show is a very good and productive thing to do. As much as I'd like to see a feature length animated film, it seems very apparent that doing each of the songs will lead into having a body of work, basically all the songs, which can be marketed individually. I guess that it is reasonable to say that is more than 35 songs, given that the total amount of songs is 70. As I've said before, that number includes backdrops, scene transitions and other embellishments.
So clearly, at this point I need to raise some serious bucks, but... I also need to have the Production Management Guidelines in place. Those Guidelines are in the works, because they also involve an Operating Manual for each of the organizations which are part of the Business Plan. Basically four autonomous, yet integrally linked business organizations. I've mentioned that in another post somewhere below and I'm not going to discuss that here, since this is part of the outline available to our investors and is really part of internal operations. At this point I don't think it is appropriate to revel those plans to the general public via the internet. Maybe that will change after I make 20 million, HA!
So, another aspect of this project is producing a "Stop Action" film. I was into doing that in college and my fourth film was stop action, so I am advancing toward gathering the resources to do that version of the film. From my point of view, I can do all that in my own studio. I have all the necessary equipment and experience. The only arenas that I need to advance in this regard are model making and puppetry. I have a puppet shop and have been doing model making as it pertains to my design prototypes. So I don't think it will be much of a stretch. The only real issue is the number of miniature sets that I will need to make. So I guess I am thinking thru the miniature sets in terms of constructing them as if they were in fact full sized sets. I suppose that will serve the full sized stage production well.
As I've mentioned elsewhere, I am interested in the parade floats as well. Gnome Fest comes into play there as well as the sets for the Little Theatre Productions. I'm not focusing much on those areas right now because the contract end of the Business Plan needs to be in place first.
Anyway, that's an update for now. Gotta get those bucks flowing in if we intend to move forward at a nice pace and hire people. So if you're interested in getting paid to do this, spread the word. I don't plan on quitting at this until I'm dead, which at this rate could be tomorrow!
That's all for now. AG
I've come to conclude that moving to animate each of the songs in the show is a very good and productive thing to do. As much as I'd like to see a feature length animated film, it seems very apparent that doing each of the songs will lead into having a body of work, basically all the songs, which can be marketed individually. I guess that it is reasonable to say that is more than 35 songs, given that the total amount of songs is 70. As I've said before, that number includes backdrops, scene transitions and other embellishments.
So clearly, at this point I need to raise some serious bucks, but... I also need to have the Production Management Guidelines in place. Those Guidelines are in the works, because they also involve an Operating Manual for each of the organizations which are part of the Business Plan. Basically four autonomous, yet integrally linked business organizations. I've mentioned that in another post somewhere below and I'm not going to discuss that here, since this is part of the outline available to our investors and is really part of internal operations. At this point I don't think it is appropriate to revel those plans to the general public via the internet. Maybe that will change after I make 20 million, HA!
So, another aspect of this project is producing a "Stop Action" film. I was into doing that in college and my fourth film was stop action, so I am advancing toward gathering the resources to do that version of the film. From my point of view, I can do all that in my own studio. I have all the necessary equipment and experience. The only arenas that I need to advance in this regard are model making and puppetry. I have a puppet shop and have been doing model making as it pertains to my design prototypes. So I don't think it will be much of a stretch. The only real issue is the number of miniature sets that I will need to make. So I guess I am thinking thru the miniature sets in terms of constructing them as if they were in fact full sized sets. I suppose that will serve the full sized stage production well.
As I've mentioned elsewhere, I am interested in the parade floats as well. Gnome Fest comes into play there as well as the sets for the Little Theatre Productions. I'm not focusing much on those areas right now because the contract end of the Business Plan needs to be in place first.
Anyway, that's an update for now. Gotta get those bucks flowing in if we intend to move forward at a nice pace and hire people. So if you're interested in getting paid to do this, spread the word. I don't plan on quitting at this until I'm dead, which at this rate could be tomorrow!
That's all for now. AG
Wednesday, November 23, 2016
Gnome Fest
One part of The Gnomes of New Hope is "Gnome Fest". That is a component in the story, but it is also a Festival Production that we are developing as part of our presentation of the Core Materials. This Festival involves Vendor Booths and schedules staging events, all centered around the fantasy cultures of The Gnomes of New Hope, The Elves of Holicong, The Sprites of the Forest, The Strong & Beautiful Twin Brothers, The Elder Gnome and other stories of The Gnomic Tales created by Image of the Mind Studios but also all those other stories and characters created by anyone else who participates in Gnome Fest.
So with that in mind, if you care to be involved in helping to produce Gnome Fest, or care to be involved when the Festival takes shape, do let me know.
Just as a way of conveying some of what Gnome Fest will offer - if you do a search for The Meadow Amphitheater, you will find the stage we used when we were doing Shakespeare in the Park. It is my intention to design the parade float for the Gnomes of New Hope to be able to expand into a remote stage, which will be used for Gnome Fest. It is very likely that Gnome Fest will travel, since the apex of Gnome Fest is a presentation of the Stage Musical and/or the puppet show.
Along those lines, I'd like to say that the core materials are nearing completion and we are beginning to move toward production. Some finance activities are taking place and we are hoping that more resources will become available to us. There are a number of very viable product lines which are advancing and developing nicely. Those subjects cannot be discussed here, for the obvious reason that it is important to keep these activities, and the results of that work secure, and in the hands of our partners, but it is encouraging to see these aspects of the project falling into place. I do reiterate that specific advancement in these arenas need to be taking place out of Image of the Mind Studios at our Southampton location.
Once again I encourage inquiry by interested parties. An email will eventuality get answered, those of you who have my phone number can call and be sure to leave a message if you don't get thru, those of you who know where the studio is, stop by to talk. I am not going to post any further information here, because any further communication by parties I do not know will need to take place thru an agency. A few of the majors know where to find me. Sorry, but I can't make it any easier than that, I'm pretty busy. That's all. Thanks for watching what's going on. AG
So with that in mind, if you care to be involved in helping to produce Gnome Fest, or care to be involved when the Festival takes shape, do let me know.
Just as a way of conveying some of what Gnome Fest will offer - if you do a search for The Meadow Amphitheater, you will find the stage we used when we were doing Shakespeare in the Park. It is my intention to design the parade float for the Gnomes of New Hope to be able to expand into a remote stage, which will be used for Gnome Fest. It is very likely that Gnome Fest will travel, since the apex of Gnome Fest is a presentation of the Stage Musical and/or the puppet show.
Along those lines, I'd like to say that the core materials are nearing completion and we are beginning to move toward production. Some finance activities are taking place and we are hoping that more resources will become available to us. There are a number of very viable product lines which are advancing and developing nicely. Those subjects cannot be discussed here, for the obvious reason that it is important to keep these activities, and the results of that work secure, and in the hands of our partners, but it is encouraging to see these aspects of the project falling into place. I do reiterate that specific advancement in these arenas need to be taking place out of Image of the Mind Studios at our Southampton location.
Once again I encourage inquiry by interested parties. An email will eventuality get answered, those of you who have my phone number can call and be sure to leave a message if you don't get thru, those of you who know where the studio is, stop by to talk. I am not going to post any further information here, because any further communication by parties I do not know will need to take place thru an agency. A few of the majors know where to find me. Sorry, but I can't make it any easier than that, I'm pretty busy. That's all. Thanks for watching what's going on. AG
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