You will note that below I posted video conversations that took place
three years ago. Overall that still applies. What has been happening since then you can see in other posts below. Let me just say that in all this time we have been both designing and redesigning (when necessary) the artwork. Just yesterday, I asked Jency to redo the illustration for a particular page, because in looking at the proceeding and following pages, I felt that we needed a greater diversity in the posture of the characters. In fact, there are a few illustrations that will need to be done over because the characters drawn do not have the kind of consistency and detail that I feel is needed. So in those instances, the artwork is just place holding, while the collection is completed.
. Five Binders of finished artwork that has been inserted into the layout. There are more.
I'm pretty well certain that there are around a dozen pages left to do. Some pages are half finished, the ones that use multiple paintings to create the illustration panel. Once the last page is illustrated with the characters, then we will be going back to review and assess the backgrounds. Along the way I decided to make sure the characters were placed, even without a background. In some instances no background is necessary. But for diversity's sake, and depending on the shift of environment in the story, a backdrop is appropriate or required. But in order to complete the layout, insertion of the characters has had to have taken precedence over the background. Indeed, we have an excellent collection of quite detailed paintings of the environments where the story taken place, but I discovered (after creating those paintings) that there really isn't enough room in the books to show those backdrops to the story. In some instances there is room, but by the time those environments are reduced to the slotted space on the page, the detail is lost. So this collection of art will really be shown in the context of the exhibition.
. Work has been done on these exhibition panels, but the significant progress on assembling the Exhibition must wait for the book layout to be completed. I will discuss the exhibition at another time and, in fact, will assemble the exhibition as an online presentation, for those that cannot travel to where it is physically presented. That online exhibition will be generally (in part) available for publicity, but in whole will be available by subscription. Sort of an entrance fee, like a ticket to the show. I will discuss this as it proceeds.
That's all for now. AG
