This leads to the fact that once the books are fully put into play (meaning published and distributed) then the focus of attention will return to completing the score for the musical.
The Libretto is written sufficiently to work off of and begin building the show. We are considering painted drops vs an LED backdrop. The LED can be used for other film projects on the Sound Stage.
The Musical Score is partially finished and needs to reach the point of publication. Although, all of the musical numbers have MIDI files outlining the melody lines and the majority of the arrangements. The last section of (maybe seven) songs still need to be arranged. There are a total of 70 musical numbers in the piece, that includes bridges and backdrops. The Overture is only sketched out at this point. Once the Illustrated Storybooks are finished and being distributed, then return to work on the music will occur.
The Technical Manual for the show is started, but that cannot practically be fully produced until we are in production. Some portions of that can be set-up in pre-production, which will happen as we progress.
Ideally, I would like to partner with other producers who work on Broadway. I prefer not to attempt that arena, simply because I have been involved in the development arena and have been away from that level of production for too long.
I have been building the tools, equipment and facilities to mount a try-out production and I have the video and film capabilities to create visual aids in mounting a larger production. Ultimately, I feel as though the larger professional endeavor should be implemented by a larger organization that is already steeped in the First Class Theatrical environment. That goes for the First Run Cinema as well. I think the project would be best served by that approach.
I can and will continue in the Development process in-house and potentially into the Try-out Scenario, but advancing into a Try-out Tour will be contingent upon Licensing the First Class Production before doing so.
There is an overall plan that involves conducting the Try-out Tour based on four wall contracts, meaning the First Class Contracts will not be tied to any third party agreements.
More later, AG